David Chelsea was born in Portland Oregon in 1959. Educated at the School Of Visual Arts, Parsons Institute and The New York Academy of Art, David has been a commercial artist for over thirty years. His work has appeared in hundreds of publications including The New York Times, The Wall Street Journal, The New York Press, Seattle Weekly, Chicago Tribune... more
Yesterday, another of my old Modern Love column illustrations for the New York Times appeared with a podcast reading of the essay it originally illustrated. On this week’s podcast, the actor John Cho reads “Men Don’t Care About Weddings? Groomzilla Is Hurt,” about a groom who, in the process of planning his wedding, becomes a person he doesn’t recognize.
David Chelsea is watching: The Nice Guys
starring Ryan Gosling
The first Secret Stash posting of the New Year on Patreon is ten more illustrations from my 1970s tenure at Portland’s underground paper, the Scribe. The subjects include such fads of the time as Renaissance Faires and Folk Masses:
David Chelsea is reading: The Caped Crusade: Batman and the Rise of Nerd Culture
by Glen Weldon
Carrie Fisher came along a bit too late to be the focus of my adolescent fantasies. By the time the first STAR WARS was released in 1977, I had already seen Sissy Spacek nude onscreen in PRIME CUT and CARRIE, as well as Cybill Sheperd in THE LAST PICTURE SHOW, FAYE DUNAWAY in CHINATOWN and NETWORK, Carol Kane in THE LAST DETAIL, Shelley Duvall in THIEVES LIKE US, and Valerie Perrine in LENNY, not to mention any number of real-life and up close actresses in the Storefront Theater, both onstage and in the dressing room, so her chaste appearance as Princess Leia didn’t do much for me. Her harem girl outfit in RETURN OF THE JEDI might have made more of an impression, but that didn’t come out until 1983, by which time I was 24, and well past fantasizing about actresses.
David Chelsea is watching: 6 SOULS
starring Julianne Moore