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Extreme Perspective! In Japanese

extremejapanese

Newly arrived from my publisher: here are some sample pages from the new Japanese editon of Extreme Perspective!:

David Chelsea is reading:
The Artist Himself: A Rand Holmes Retrospective
by Patrick Rosenkranz

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Perspective Police!: Plastic Man?

plasticman

Here’s part of the presentation I gave last Saturday at Stumptown Comics Fest:

My fellow cartoonist John Linton Roberson brought this one to my attention. It comes from a comic called Flashpoint: Legion of Doom #1, published by DC in 2011. (Superhero comics, like animated cartoons, are a group effort. The credited artists for this panel are Rodney Buchemi, José Marzan, Jr. and Artur Fujita.)

David Chelsea is reading:
Gulp: Adventures on the Alimentary Canal
by Mary Roach

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Perspective Police! At Stumptown

The Many Moods Of David Chelsea At Stumptowns Past

The Many Moods Of David Chelsea At Stumptowns Past

This year at Stumptown Comics Fest I’ll be presenting something new. Rather than the tried-and-true perspective drawing grid slideshow and demonstration that I have presented two years running, I am doing a slide show version of my irregular blog feature Perspective Police! in which I analyze published drawings by artists like Joost Swarte, Ivan Brunetti, and Alison Bechdel, and propose revisions to better bring them in line with perspective. Not that I am free from error myself; one of the images I police is an early illustration by a promising young artist named David Celsi.

David Chelsea is watching:
Sealab 2021 – Season 1

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Christmas Icosahedrons

Just in time for New Year’s, here’s my Christmas blog post.

Nowadays, Eve & I send a Holiday Letter with a summary of the years’ events to the dwindling number of our friends who aren’t already well aware of our doings through Facebook, but in years past we used to send cards I illustrated, often featuring our cat Sophia. Twice, I got more ambitious and created 360 panoramas in icosahedral perspective on cards which were meant to fold up into Christmas ornaments.

The first, from 1993, depicts our loft on 27th st. in New York:

David Chelsea is reading:
Austerity Britain 1945-1951 (Tales of a New Jerusalem 1)
by David Kynaston

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(비즈앤비즈 드로잉 라이브러리 시리즈5) 만화가를 위한 익스트림 투시원근법

Some images from the recent South Korean edition of Extreme Perspective!, translation by Yeong-jin Ahn and published by Viz and Biz. I got my copies last week:


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Icosahedral Perspective: Anny’s House

Here is an example of the kind of 360º perspective I was doing just before I began drawing and painting on spheres. This drawing of my sister Anny’s living room is from 1994.

David Chelsea is reading:
Horseshoe Crabs and Velvet Worms: The Story of the Animals and Plants That Time Has Left Behind
by Richard Fortey

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Perspective Police!: The Album

A reader writes in, apropos of my recent Perspective Police! post revising Alison Bechdel:

“I just wanted to say, it was nice to see the perspective post but I also wanted to suggest perhaps you provide a link to a side-by-side comparison of the original and your revision.
I dragged the thumbnails and opened each up side-by-side in different windows using an image viewer. But, if there were just a link to a side-by-side on the blog, that would give people a great option to see what you did.”

David Chelsea is reading:
The Power of Habit: Why We Do What We Do in Life and Business
by Charles Duhigg

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Perspective Police!: Bechdel

I owe Alison Bechdel big time. The cartoonist responsible for the comic strip Dykes To Watch Out For and the graphic novels Fun Home and Are You My Mother? may be best known for The Bechdel Test, which she formulated to determine whether a movie is sexist or not. For a story to pass the test:

1.    It has to have at least two women in it,
2.    Who talk to each other,
3.    About something other than a man.

Some people amend the rules to require that both women have names.

David Chelsea is reading:
Manara Erotica Volume 1
by Milo Manara

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Stumptown to Sylvania

Not my best side

Not my best side

I had a perfectly swell time at Stumptown Comics Fest last weekend, signing my books, passing out copies of The Survey and chatting with friends and fans. But don’t take my word for it, check out this time lapse video of Stumptown Day One. I can be seen front and center, next to the big red screen, wearing a black vest. Don’t I look like someone having a good time?

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Just In Time For Stumptown: Immersive Comics!

This is a momentous blog post, for I have the honor of announcing the birth of a new art form: Immersive Comics. The parents are a bit of a May-December match: the venerable comic strip, which first appeared in newspapers over a century ago, but may be far older (Scott McCloud, for one, dates its first appearance to Ancient Egypt), and the immersive panorama, which has its roots in wide-angle photography, but only took on its modern form with the development of online photo sites in the 21st Century.

David Chelsea is watching:
Case Histories

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