Stop the presses! I have actually sold a piece of original art! (Of course, I have been a working artist for over thirty years now, but as an illustrator and cartoonist I create art to be reproduced and no one much has been interested in owning the originals). A submission I made in January to The Visual Chronicle Of Portland, a city-owned collection of works on paper– prints, photographs, paintings and drawings– that focuses on artists’ views of the city’s social and urban landscapes- has been accepted, and at some point soon it will go on display. No black-tie gala planned for this year’s inductees, who also include Justine Avera, Kevin Farrell, Jason Greene, Bruce Hall, Alex Lilly, Francis Rosica and Jake Shivery, but there is a nice check and the satisfaction of seeing my work hanging somewhere besides on a telephone pole (the works are exhibited in publicly accessible areas throughout City and County offices). Continue reading Coming Soon To A Wall Near You
Here’s something new I’ve been goofing around with when I haven’t been deep in work on the new perspective book. It’s 3-D caricature, and it really works. My first subject is the great Jonathan Winters, one of a projected series titled (with apologies to Drew Friedman) “Old Goyishe Comedians (In 3-D, Yet!)” You’ll have to put on your red/blue glasses to get the effect:
I don’t have all that much to say about last weekend’s Stumptown Comics Fest because l didn’t do much beyond sitting at my table and selling books- I didn’t attend any panels or go to any after-parties. Instead, l enjoyed the spring weather and the unusual luxury of being able to walk home from a con instead of to a hotel room. I sat, l doodled, l made money- kind of like a night watchman’s job. Continue reading Stumptown Report
This weekend l will be making my only convention appearance of the year at Stumptown Comics Fest here in Portland. I wasn’t able to get any new material together in time, but l will have all my books for sale; l will also make myself available for perspective consults. I’ll be taking donations as well for the S. Clay Wilson Special Needs Trust– if anyone’s on the fence about contributing to this worthy cause, they can preview the original art for the 24 hour comic I drew, a copy of which comes with your donation (I just haven’t finished scanning the art yet). Continue reading Stumptown Preview
The Spring 2009 Drawpocalypse is now history, and I’m catching up on my sleep. As people following this blog are well aware, l decided to make my own 24 hour comic a benefit for ailing comix legend S. Clay Wilson’s medical expenses, and six other artists at the event decided to join me: Kevin Cross, Joshua Kemble,Mike Getsiv, Tony Morgan, Josh Fitz and Ben Sarnoff. I’m still toting up my own pledges, but I think it’s somewhere in the neighborhood of a thousand dollars. For those who are interested in pledging, it’s not too late: I produced 24 pages on the nose, so pledges can be some multiple of that, like, say, $240, $480, $2400… All checks should be made out to to the S. Clay Wilson Special Needs Trust and sent to PO Box 14854 San Francisco CA 94114, or you can visit their site: www.sclaywilsontrust.com. In response to numerous requests they now have a Paypal account to take contributions online. Not tax deductible, but you do get a signed minicomic of the story I drew, which l have no plans to make available in any other way. Continue reading Drawpocalypse Postmortem
The big day of the benefit 24 Hour Comic event to raise money for S. Clay Wilson’s medical expenses is less than two weeks away. Last November, the legendary underground comics artist suffered a severe brain injury in a fall. He spent a week in intensive care and faces a long recovery. Even with insurance, Wilson’s expenses are beyond his ability to pay and have made him and his family paupers. For those of you who may not have heard of it, the premise of the 24 Hour Comic challenge is that an artist attempts to complete 24 pages of comics within 24 hours. I am soliciting pledges from friends and comics fans for each page I complete. Assuming I draw at least 24 pages, the pledges I have so far amount to over a thousand dollars, and I know my fellow cartoonists Kevin Cross, Joshua Kemble,Mike Getsiv, Tony Morgan, Josh Fitz and Ben Sarnoff have been soliciting contributions as well. It’s not too late for you to contact me with a pledge. Continue reading Checkered Demon Update
I’ve been meaning to get Anapest strips up more often, but life intervened, not to mention paying jobs. Anyway, the long wait is over and there’s a new strip for your enjoyment on my comics page. For this one I’ve strung together lines from disparate songs which just happen to form rhyming couplets in an anapestic cadence (sorry if the type is a little tiny; here’s the text: So listen up Buster and listen up good/Oh Lord, please don’t let me be misunderstood/ If one of those bottles should happen to fall/ Don’t stand in the doorway, don’t block up the hall/She once swept an admiral clear off his feet/And the rhythm of life is a powerful beat!) I have been wasting more of my precious time on this earth than I care to admit lately running lines from songs in my head to see if they fit that Dr. Seuss meter (da da DUM da da DUM da da DUM). Some songs, like Lucy In The Sky With Diamonds and The Lady Is A Tramp, have nearly all their lines in anapest; others have just one or two. Here’s a collection of random lyrics that all just happen to rhyme: Continue reading Anapest: The Mashup.
There are a few images seen early in life that I can call formative; an early Crumb panel glimpsed in an issue of Newsweek, a dark painting of a brutish bartender answering an old-fashioned wall telephone, framed and mounted for unknown reasons on my grandmother’s kitchen wall, which frightened me for years until I examined it closely and found it to be a cartoon by Jack Davis- and a drawing in dizzying curvilinear perspective of a group of bizarre buglike creatures climbing up and down unsupported staircases and curling themselves into wheels to roll down long corridors, which I saw in some Time/Life science book when I was about ten years old. It was only years later that I learned the name of the artist, M.C. Escher, when I saw the drawing again in a collection of his work. I made many attempts to draw pictures in the style of that image, but I could never manage to get the perspective right. Continue reading Escher: the Bowling Ball