Most of the work I do on commission is illustration, but occasionally a client who knows about my comics will hire me to draw a strip for publication. This strip for The Portland Monthly was the client’s concept all the way, and if the result looks unusually stiff, it’s because I was dealing with a sport I know nothing about- basketball- and an athlete I’d never heard of- Rasheed Wallace ( I believe he used to play for a team called the Trailblazers). With the thorny matter of race added to the mix, I wasn’t about to attempt anything too caricatural. Basically this piece is a straight photocollage with a light layer of drawing- using photographs I found of Wallace online, I put together a layout with added captions and balloons in Indesign, then used Photoshop to convert it to a dithered dot pattern which I printed onto coquille board and then pencilled over. Continue reading Comics For Hire #1: A Fresh Start.
My twelve year old son Ben began an ambitious painting project three years ago in a school art class; when the teacher gave him a choice of several pictures to copy, Ben picked a portrait of George Washington, which he copied in black and white. This is the result- pretty accomplished for a nine year old, even if it’s not quite an accurate likeness.
One of my very occasional moonlighting activities has been acting on the radio. Usually I’m reading Damon Runyon stories in my best Brooklyn accent under the alias “Naples Yellow” for KBOO-FM’s program Gremlin Time, but tonight it’s something a little more contemporary, a radio adaptation of “Frank” cartoonist Jim Woodring’s story Dinosaur Cage. I’m the narrator, and there is another cartoonist in the cast- The Oregonian’s Michael Russell, who years ago drew this strip about my first 24 Hour Comics Session. Another cartoonist, S.W. Conser, adapted and directed the piece. It is scheduled to air tonight (Monday) at 11pm PDT as one of the features on KBOO’s “Ubu Hour” (alert, in case you’re forwarding the info to friends: several of the other theater pieces airing tonight feature parental-advisory language).
The show can be tuned in live on the web at http://kboo.fm/listen but if you prefer to wait until Tuesday, the audio will be up on the KBOO website, available for download.
Stop the presses! I have actually sold a piece of original art! (Of course, I have been a working artist for over thirty years now, but as an illustrator and cartoonist I create art to be reproduced and no one much has been interested in owning the originals). A submission I made in January to The Visual Chronicle Of Portland, a city-owned collection of works on paper– prints, photographs, paintings and drawings– that focuses on artists’ views of the city’s social and urban landscapes- has been accepted, and at some point soon it will go on display. No black-tie gala planned for this year’s inductees, who also include Justine Avera, Kevin Farrell, Jason Greene, Bruce Hall, Alex Lilly, Francis Rosica and Jake Shivery, but there is a nice check and the satisfaction of seeing my work hanging somewhere besides on a telephone pole (the works are exhibited in publicly accessible areas throughout City and County offices). Continue reading Coming Soon To A Wall Near You
Here’s something new I’ve been goofing around with when I haven’t been deep in work on the new perspective book. It’s 3-D caricature, and it really works. My first subject is the great Jonathan Winters, one of a projected series titled (with apologies to Drew Friedman) “Old Goyishe Comedians (In 3-D, Yet!)” You’ll have to put on your red/blue glasses to get the effect:
I don’t have all that much to say about last weekend’s Stumptown Comics Fest because l didn’t do much beyond sitting at my table and selling books- I didn’t attend any panels or go to any after-parties. Instead, l enjoyed the spring weather and the unusual luxury of being able to walk home from a con instead of to a hotel room. I sat, l doodled, l made money- kind of like a night watchman’s job. Continue reading Stumptown Report
This weekend l will be making my only convention appearance of the year at Stumptown Comics Fest here in Portland. I wasn’t able to get any new material together in time, but l will have all my books for sale; l will also make myself available for perspective consults. I’ll be taking donations as well for the S. Clay Wilson Special Needs Trust– if anyone’s on the fence about contributing to this worthy cause, they can preview the original art for the 24 hour comic I drew, a copy of which comes with your donation (I just haven’t finished scanning the art yet). Continue reading Stumptown Preview
The Spring 2009 Drawpocalypse is now history, and I’m catching up on my sleep. As people following this blog are well aware, l decided to make my own 24 hour comic a benefit for ailing comix legend S. Clay Wilson’s medical expenses, and six other artists at the event decided to join me: Kevin Cross, Joshua Kemble,Mike Getsiv, Tony Morgan, Josh Fitz and Ben Sarnoff. I’m still toting up my own pledges, but I think it’s somewhere in the neighborhood of a thousand dollars. For those who are interested in pledging, it’s not too late: I produced 24 pages on the nose, so pledges can be some multiple of that, like, say, $240, $480, $2400… All checks should be made out to to the S. Clay Wilson Special Needs Trust and sent to PO Box 14854 San Francisco CA 94114, or you can visit their site: www.sclaywilsontrust.com. In response to numerous requests they now have a Paypal account to take contributions online. Not tax deductible, but you do get a signed minicomic of the story I drew, which l have no plans to make available in any other way. Continue reading Drawpocalypse Postmortem