Perspective Police!: Boxing The Sphere

boxing

The twentieth anniversary of my book PERSPECTIVE! FOR COMIC BOOK ARTISTS is fast approaching , and it’s time to take care of some long-unfinished business.

A reader of this blog wrote recently to ask me to tell him how to draw a sphere correctly in perspective. He had touched a sore spot- I spend a lot of time in my book explaining how the instructions on how to draw a sphere in other perspective books are wrong, wrong, wrong, but I never lay out a method that is right, right, right.

David Chelsea is watching:
Tim’s Vermeer [Blu-ray]
Directed by Teller

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Perspective Police!: The Album

A reader writes in, apropos of my recent Perspective Police! post revising Alison Bechdel:

“I just wanted to say, it was nice to see the perspective post but I also wanted to suggest perhaps you provide a link to a side-by-side comparison of the original and your revision.
I dragged the thumbnails and opened each up side-by-side in different windows using an image viewer. But, if there were just a link to a side-by-side on the blog, that would give people a great option to see what you did.”

David Chelsea is reading:
The Power of Habit: Why We Do What We Do in Life and Business
by Charles Duhigg

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Perspective Police!: Wagon Wheels

For this latest installment of Perspective Police, I have selected a 1982 piece from the National Lampoon by an illustrator named David Celsi, who had a busy but not very visible career in the 70s and 80s before dropping entirely out of sight, then reemerging in the 90s as an autobiographical cartoonist under the name David Chelsea.

David Chelsea is watching:
“Dexter: The Fifth Season”

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Perspective Police!: The Defense

Joost Swarte comic from The New Yorker
Joost Swarte comic from The New Yorker

David Chelsea is reading: Spark: How Creativity Works by Julie Burstein

Kim Thompson of Seattle, Washington comes to the defense of Joost Swarte, whom I took to task in my last blog post for his inconsistent use of horizontal oblique projection in a recent New Yorker piece:
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