Regular visitors to my Patreon page are aware that for most of a decade I have been posting End Strips, that is, short narrative and non-narrative comics drawn on strips of paper left over from other projects, in a vertical format which looks good on phones.
Continue reading Those We’ve Lost
I’d like to alert my loyal readership to a recent reprint of my work in a specialty magazine: Railroad Heritage
This is the magazine of the Center For Railroad Photography In Art, which comes out twice a year. A page from my instructional book Perspective! appears in an article which takes up half of the magazine, a very comprehensive survey of the subject train tracks meeting at the vanishing point on the horizon by historian Gregory P. Ames, which includes an extensive cache of photos and illustrations using the train track vanishing point motif along with dozens of descriptions of the effect from literature, journalism and private letters. I am honored to be included in this article.
Testing, testing. It’s been quite a while since I’ve put up a blog post, but I have news. This August 5, I am attending my first comics convention since pre-Covid days. I quote from the website for Artists Alley Comics Fest:
Like a great many unique and innovative comic creators, Artist Alley Comics Fest (AACF) was founded and made its home in Portland, Oregon and debuted on Sunday, August 2nd, in 2015, at The Spritely Bean, the late indie comics café. AACF gave the opportunity and visibility to independent comic artists who have traditionally been overlooked or shut out by events that are motivated to give platform to established voices.
The festival is a minimally curated event, without assessment of aesthetic or narrative quality. Judgements for acceptance as an exhibitor are based on an artist’s ownership of their work, a prohibition of hate speech and advocation of violence, and a minimum approximation to the definition of “comics artwork.”
Our goal is to showcase the talents of independently creative voices in comics by giving the public a place to interact with comic creators. While publishers and distributors are welcome to apply for exhibition space, those who are willing to be represented by comic creators are likely to receive greater consideration.
Come out and support many talented independent comic creators selling their creative and amazing work! This is a free general admission event!
Continue reading David At Artist Alley Comics Fest 2023
I had a dream last night that I lost my website, and then couldn’t remember what I might need one for. I think this is a sign that I ought to blog more often, although it’s possibly a sign that I shouldn’t blog at all anymore.
Continue reading RIP, Nancy Swartz
The digital version has been out for a while, but it never seems real for me until I get my three contributor’s copies of the American Bystander’s latest issue in the mail. This one has a 70s theme, and contains a comic based on my bicentennial dream diary.
Continue reading Bicentennial Dreams In American Bystander
I completed the final panel of the final page of my most recent 24 Hour Comic at ten in the morning of Sunday, October 2nd, only four hours behind schedule (according to rules laid down by 24 Hour Comic inventor Scott McCloud, this is an acceptable variant- some projects just take longer, and this one involved a prodigious amount of shading). My final count was 23 pages and a cover image- which I consider a page on its own, but your mileage may vary. As promised, the story is titled Nudity I Have Witnessed, and it is a memoir of my years drawing the figure at Hipbone Studio and elsewhere.
Continue reading Nudity I Have Witnessed
My first call for 24 Hour Comic sponsors a week ago attracted no response, so I have crafted this shorter one tailored for Hipbone Studio regulars:
This blog has been mostly silent for the past little while, but I decided to post a solicitation for my upcoming 24 hour comic, which I intend to draw on the first Saturday in October. You can read all about it below:
I haven’t been doing much commissioned work recently, but I’ve been plugging away nonetheless, posting comics, videos, and sketchbook pages to my Patreon on a regular basis. On any given week I might post a book report comic drawn on a library call slip, like this one about Sarah Polley’s memoir:
The most recent issue of the American Bystander arrived the other day, just in time for me to read with my noon coffee. This issue sports a cover by the great Peter Kuper: